Exploring Racial Bias: Reflecting Inward, Projecting Outward (Part 2)

This is a continuation of a previous post. Part I can be viewed here.

During the second quarter of this school year, my teaching partners and I led our students in an intensive exploration of the concepts of racial bias and institutional racism. The impetus for this work emerged from a combination of concerns about what we saw happening in our country at large, and being aware of a microcosm of the same occurring within our school. We opened the dialogue through a series of seminar discussions. A more detailed account of these initial pieces is provided in Part 1 of this post, as linked above.

Throughout the time that we were seminaring on the issue of implicit racial bias, students were also engaging in novel discussions and assignments on After Tupac and D. Foster – a coming of age story about three African-American girls growing up in Queens in the mid-1990s.

Students were making connections between the novel and their own lives, as well as connections to the greater societal issues around them. It was at the end of one particularly provocative and rich discussion, where students had explored the motifs of stereotype, injustice, inequity, judgement, and racism, that Beau and I hit on the idea for our culminating group project.

Our work together in development of this task was a beautiful example of co-teaching at its best. Beau and I bounced ideas back and forth, and then worked through determining how to best structure each piece, so it would be accessible to all learners. (A copy of the complete student work packet is available here.)

We were so delighted with how the project developed through our collaborative work that on the day we introduced the task, we were practically shimmering with excitement. We hoped to convey this glee to our students, but, while a few reflected our enthusiasm, the majority of them looked back at us with expressions that clearly said, “I’m sorry, you want us to do what?!” They recognized the complexity and rigor of the task ahead, and the challenges that inherently arise through group work, and they were understandably apprehensive. Yet, we remained confident that we could support them in being successful with this challenging assignment.

The final two weeks of the quarter were dedicated to working on the project and groups predictably cycled through the various stages that come with any major task – excitement, anxiety, frustration, despair, pride, and relief. It was an intense time.

The project began with a creative representation of theme in the novel. Each group had to craft a theme for the novel based on the motif of racism. They then had to identify four scenes in the text which supported their theme, select a compelling quotation, provide reasoning for how this related to their theme, depict the scene, and construct a storyboard containing all these pieces.

They selected quotes like these:

“Cops always trying to bring a brother down. I’m coming from the park just now, trying to get home. I’m running down the street, and this cop just stopped me talking about ‘where you running from?’ I said, ‘I’m not running from I’m running to. Some days I’m thinking why God gave me these legs to run if it’s gonna mean getting stopped by some cop every time I try to do so.”

“’Brother in a suit is just a brother in a suit,’ he said. ‘His black head still sticking out his neck hole.’”

Students then created illustrations like these to represent the events of the novel.

Students were then required to connect their theme to the concepts explored in our seminar pieces (our supplemental texts): implicit bias in schools, stop and frisk policies, the Black Lives Matter movement, police relations with communities of color, and perceptions of race relations. None of these are easy or simple concepts.

They took the theme they had identified from the novel and expanded it outward to where they saw it represented in the real-world. Once again, they had to find evidence in the form of a direct quotation from one of the supplemental texts, and then develop reasoning to link that quotation to their theme.

The final component of the project was, perhaps, the most emotionally challenging. Students conducted an online search for images which reflected the topics they had discussed through both the novel and the supplemental texts. Many of them were shocked by what they saw.

As one student was searching for photographs, she exclaimed, “Oh, I can’t use this picture; it’s too upsetting!”

My response was, “I told you that these images might make us uncomfortable. That’s okay. It’s important that we feel uncomfortable.”

Finally, each of these components was assembled into a comprehensive display.

As the projects began to be completed, students and teachers alike witnessed the tremendous power in the work.

Josh Vogt, Gamble’s 11th and 12th grade social studies teacher, came to see how things were progressing. Josh has done considerable work on the concept of social justice, so his feedback was particularly valuable to us. He spent nearly an entire bell with us, looking at every group’s work and asking probing questions of our students.

When I spoke with him later that evening, his response was profound. He acknowledged the depth of the exploration. He shared that he wished he had been able to spend the entire quarter working on this unit with us, and he requested that I take photos and video of the project exhibition the following day, so he could share it with others doing this work around the country.

As a teacher, I was deeply touched by this praise, but I knew that it wasn’t me who most needed to hear it.

The following morning we prepared for the gallery walk of the completed projects. The tone in the room was a combination of anxiety and pride. Beau and I explained the structural and behavioral expectations of this task. Among other things, we asked that students remain silent during this activity. I clarified that the reason we set this expectation was to honor both their tremendous amount of effort and to be respectful of the seriousness of the subject matter. I also shared with them what Josh had said – that he was so moved by the work that he had been brought to tears, that he was proud that they had accepted the challenge to tackle this topic, that he found the work of such quality that he wanted to share it with others around the country.

An outside expert’s view of their work carried so much more weight than directions given by the same teachers they hear day after day.

Even with the reinforcement of Josh’s words, I anticipated having to repeatedly enforce the expectation of silence.

Once more the students surprised me. There was no need for any kind of redirection. For nearly an hour, as they viewed each other’s projects, they were silent. There was hardly any sound at all beyond the shuffling of feet as students moved between displays. They carefully examined each project, taking notes as directed. In all honesty, I have never experienced anything quite like it before. The tone was nothing short of reverent.   So much so, that at the end of our time, several students expressed disappointment that they had to go to their elective classes, rather than spend more time looking at the projects. Here is a short video clip chronicling the gallery walk.

Later that afternoon, we concluded our project experience with a final seminar discussion. We focused on two primary questions:

  • How does the issue of racial bias impact us as a nation, as a community, as individuals?
  • How might we as a nation, as a community, as individuals address this?

The conversation vacillated between hopeful and hopeless.

An 8th grade boy optimistically indicated that he believed things were going to get better. As evidence, he proudly specified the work that we had been doing as a class, and Mr. Vogt’s intention to share it with others who were working on the same issues nationally.

One young woman angrily noted, “We can talk about it, and we can do things, but it won’t make any difference because of all the racist people who won’t change. You have to want to change in order to change, and they don’t even care.”

And then we talked about Change Innovation Theory – the idea that change is led by Innovators and Early Adopters, and it develops into a movement that grows such that the wave of the majority will do the work of influencing a resistant minority.

And with that, the bell rang and we ran out of time.

The issues addressed through this project are difficult ones. They are hard realities, but we do our students – of all colors and backgrounds – a disservice if we don’t being these concerns to the forefront and provide our students with ways to explore them.

For my students the conversation has only just begun, and the real work of change has yet to be started, but I am proud to teach Innovators and Early Adopters. They will change the world, and I hope that they will start with our school.

 

 

 

 

 

 

4 thoughts on “Exploring Racial Bias: Reflecting Inward, Projecting Outward (Part 2)”

  1. Thanks for taking the risks necessary to make this project work. It is so refreshing to see that teachers can still subvert the drill and kill testing regime to create meaningful learning and growing opportunities. Have you thought of sharing your blog with the ReThinking Schools journal? They would definitely be interested in your practice.

    1. I am not at all familiar with that journal, but please tell us more! We are eager to spread our message and work more broadly.

    2. Thanks for the heads up, Tim! I didn’t realize it, but I have encountered ReThinking Schools’ work before while researching for the blog and other related work. What a great resource! I reached out to them via their submissions link. I hope Krista’s team’s lesson plan can be a resource for others. Thanks also for your work in our community working to make sure that everyone feels safe and welcome.

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