The Militarized Classroom

In early October I received a postcard-sized advertisement in my mail at school. This is common. Each week I receive a dozen or more postcard advertisements, full size color brochures, and even catalogs for anything you can imagine that can be marketed to schools. This one stood out. It was for a whiteboard on wheels, for classrooms.

It was bulletproof.

A bulletproof whiteboard on wheels. For classrooms.

The ad implied that with the right purchase, I could save lives. It implied that one of my responsibilities as a school leader was to prepare for the unthinkable, and that any resource not spent in that endeavor was wasted.

The other advertisements got tossed, unopened, into the recycling bin. This one got propped up against my desk clock. I would look at it and seethe. The rush of adrenaline was palpable each time it caught my eye. It took me weeks before I could figure out why that postcard made me so angry.

It said: you aren’t doing enough.

It said: you aren’t doing enough to protect children.

It said: violence at school is not an aberration. It is something for which you must prepare.

Worse yet, it pointed to misdirected priorities, and an abdication of our primary role as educators. We know that school shootings are most often perpetrated by students who attend the school. The message was that rather than find a way to connect each child to the community, we must instead accept that one or more of them are inevitably going to want to hurt us.

It said: we must plan to protect ourselves from our children.

I know the statistics[1]. How many children are shot in schools each year. How often the principal is among the targeted people. How the number of school shootings has increased in recent years, in coincidental tandem with an increase in gun sales, and in similar tandem with the use of standardized test scores to rate schools.

This postcard said: it is too hard to figure out why it is happening. Just accept it, and make sure you are ready when it happens to you. When it happens to you.

That there can be violence at school is not news to me. I know that there are real threats to our students and schools every day. I know my role, as a school leader, in making sure our students are safe. Most often this means being aware of individual conflicts and working to make sure that they do not boil over into physical conflict. Sometimes it means helping to break up a fight. And I know that sometimes the potential exists for a more dangerous incident.

Several years ago, Cincinnati Public Schools adopted a new protocol to respond to potential shooting incidents.  Called ALiCE, it is a specific set of steps to be taken in case of an event where someone enters the school intent on harming one or more people in the building. It has a reasonable premise that makes it an improvement over the old response model. In the ALiCE response, you can take steps to defend and protect yourself.

ALiCE is, of course, an acronym. It works like this:

A – Alert. When you realize an incident is occurring, you make an announcement to the whole school. You also alert authorities. A sturdy radio box was installed in my main office with a large red button. Pressing that red button quickly handles several tasks: it sets off an alarm in the school that indicates that the building is on lockdown, it immediately connects you, via radio, to emergency dispatch (and, curiously, to every other school that has one of these boxes), it disables the key card readers at the doors and locks the front door, making the building harder to access. It also sends an emergency text to my phone, and I suppose the phones of a CPS security staff. The red button is serious business. I’ve told my office staff they can never press the button without my order, unless I’ve been shot. (More on that later.)

L – Lockdown. Initiated by the red button, or by a PA announcement during drills or non-emergency lockdowns (such as when police notify me they are pursuing an armed suspect in the vicinity of the school), lockdown is a common drill. There is a series of steps that teachers should take in their classroom, mostly to make the room inaccessible and to make it seem empty, and thus not a target.

i – inform. [Note: not a typo. A trademark protection prevents the creators of this system from using all capital letters.] This is where the new system deviates from the old one. The old protocol was that after you were placed on lockdown, you waited under your desk until the voice of an authority figure announced you were safe. Now, with the use of cameras and the PA system, my responsibility is to try and locate the person intending to harm others, and share his location with the whole school. These give important information to teachers, and are also meant to disorient and frustrate the individual attacker.

C – counter. Another innovation in this system is the permission  to “counter” the individual. Instead of sitting passively in a ball under your table, you can act to protect yourself. A disoriented attacker is more likely to fire his gun inaccurately or to move on to an easier target.

E – evacuate. Using the information provided over the PA system, teachers now have the opportunity to decide whether it might be in their best interest to get their class out of the building and away to a safe place – in our case, St. Catherine’s. If they determine that the attacker will not see them, they can exit the building to go to our rally point.

CPS has assured teachers that they can now use their best judgement in an ALiCE event, and will be protected from prosecution if something happens during their evacuation.

This new twist on the protocol prompted an unusual conversation outside of school. Cora is a family friend in the fourth grade at St. Catherine’s, a school on the other side of the park behind our school. At a recent community event, she approached me excitedly. “Mr. Jose, your school is our safe place in case we have to get away from a shooter.”

“Hey, yes, I knew that. Your principal and I agree to that every year. Your school is our safe place.”

She was eager to tell me more, “And, you know what?”

“What?”

“If someone comes in to shoot us, we get to throw things at him!” Her enthusiasm was clear. In a child’s mind, this situation, and the chance at self-defense by throwing a book at an assailant, was a wonderful adventure. These are the sorts of flights of fancy a person’s mind naturally takes in daydreams, or heroic stories they tell themselves and each other while playing. A child tries on certain roles, and then can easily discard them – a police officer, a criminal, the President, a teacher, a superhero. But this self-defense training is an awful intrusion into the world of play for a child. The message that this particular act might not be play one day is damaging. You may have to throw a book to save your life; you might not be safe here; we don’t have bulletproof whiteboards.

This postcard said: it is too hard to figure out why it is happening. Just accept it, and make sure you are ready when it happens to you.

When it happens to you.

When the district adopted this ALiCE protocol as policy, principals were required to attend training to implement it. Designed by our district security and facilities staff, this half-day in a conference room felt a little like officer training. We were given the outlines of ALiCE, with a bevy of statistics. Dozens of students shot and killed in mass victim incidents in Columbine and elsewhere. (This was before Sandy Hook, another school name we should never have heard, but which now haunts our collective consciousness as unspeakable terror.) Individual students shot in dozens more incidents, which gained less publicity, throughout the school year. We learned that time and time again assailants were successful in getting into the school, which is a relatively soft target. We learned terms like “soft target” – which means a building that is not set up to actively defend against unwanted visitors. We called the aggressive student the “perp”, short for “perpetrator.” We learned about “choke points” for student egress, where students can’t all get out quickly and become easier to harm, spots to be avoided during evacuation. We learned that frequently these angry students had easy access to weapons, and they used them to inflict harm on one or more people. We learned that more than half the time, one of the targets was the principal.

I was half joking when I told my staff they could only press the red button if I had been shot. As part of the training, we learned that statistically it is more than just a possibility, in the event of a shooting at my school, that I will be a victim too, along with one or more of my students and staff. Along with the terminology, that night I carried home some of the machismo that was communicated through the training. “It’s okay,” I reassured my wife. “Almost seventy percent of the time when a principal is shot in one of these incidents, he lives.” It took several minutes for her to be able to speak to me, to ask me to vow that I would never joke about that again.

I knew that my actions in the moment could actually save lives, and I took that seriously. This was not news to me. I already believe my actions every day are saving lives, or at least changing them forever.

We were provided a slide show that talked about the history of the ALiCE concept, and the ways that the process might work at any given school. And then we were shown a video.

Slightly grainy black and white, this video was taken from up above the subjects, as if the camera was on the ceiling. Framed on the right side by a shelf of books, it must have been from a library security camera. The movement below a table was confusing at first, then I realized there was a crouching girl in a white sweatshirt, and I knew for sure that I was watching a surveillance video from one of these infamous school shooting incidents. When a male figure entered from the left, I did not need to see anymore. I could not see anymore. I stood, said to no one in particular “I can’t watch this. Get me when it’s over.” Then I walked out of the room.

On my way out, I heard our instructor announce that this was video from Columbine. He named the young man who had just entered the picture, a name too familiar to us now, and I heard the voice of a young woman pleading for her life. Then, thankfully, the door shut behind me, and I sat down on the floor in the hallway, and willed myself not to cry. I was sick to my stomach. Even now, more than three years later, I viscerally experience the intensity of that moment.

I did not need to be convinced of reality. I did not need to be persuaded to do all that I could to protect my students. I did not need to hear the pleas of frightened children, or hear the pop of semi-automatic gunfire in order to take my work seriously. I do not want to become callous to those sounds, or familiar with them. But I still cannot reconcile this strange contrary aspect of my job, the expanded role of protector of my students against immediate threat, and the chief nurturer and educator. Ten minutes later the group took a break and the other principals left the room, subdued.

We know that safety codes and frequent drills work to keep people safe in public buildings. The last death in a public school due to a fire was in the 1950s. Strict building codes have made fires less frequent, and largely eliminated blocked exits and broken signs and signals.  Schools are required to do safety drills continually for a variety of potential threats. Recent changes in the expectations in the state of Ohio have added emergency drills, for the potential of a shooter, to the bevy of fire and tornado drills. In total, we are required to do 14 such safety drills a year – one fire drill each of the 8 months we are in school, one tornado drill each of the three months we are in school during tornado season, and three safety / ALiCE drills.[2]

Teachers take these drills seriously. The questions I am asked come from a desire to understand the policy fully and to implement it effectively. We work to take the drill as a full “dress rehearsal” – if we are to evacuate silently, we do. If we are to crouch or sit, we do, even if just briefly.

I know that these ALiCE drills traumatize my students and my teachers. Several years ago, at a team leader meeting, one teacher was nearly in tears as she sought answers to a question about her windows. To reduce theft, first floor windows were built to only open enough to let air in, but not a person. Likewise, in the event of an emergency, a person could not get out. Her students were going to have questions, and she wanted to get the answers right.

A year earlier, in our old building, an officer knocked loudly on the door of a classroom and identified himself as a school officer. With the teacher’s permission, a student let him in. “Bang!” he yelled. “You are all dead. You can never let anyone in until the all clear has sounded.” Some students laughed. Others jumped and crouched harder in place.

 

Shortly thereafter, when the all-clear had been announced, we called home to have a parent pick up the student who opened the door. She was so distressed that she could not stay in school the rest of the day. Our students understand the nature of violence, and some of them have seen it play out in their lives. Some of them walk home to houses on streets that my teachers suggest are too dangerous to drive down.

This year, Krista related the hard questions her students asked her as they debriefed the drill.

“Why can’t we let someone in?”

The answer? “It might be a hostage situation.”

“What happens if one of us gets shot?”

“I won’t leave you.”

I understand that fires and tornadoes happen. I understand that conflict happens in school.

I can’t understand why shootings occur in school.

Following the devastating shooting at Sandy Hook Elementary school, where 26 students and staff were shot and killed, several parents of the victims created Sandy Hook Promise, a nonprofit organization dedicated to reducing school violence. While they acknowledge that larger solutions need to be taken societally, their approach has been school-based. The emphasis is on providing support for every student, and being aware of the signs of social isolation and aggressive behavior, is the right approach to helping solve the problem. Their awareness video, entitled “Know The Signs”, is a powerful reminder to us to make sure we are vigilant and attentive to the needs of every student. We are inclined, in reviewing the video, to see a perpetrator. But what we see is a child.

Intentionally building community among students, whether in very large high schools or in small elementary schools, is the best way to make sure no student feels so angry and left out that he must make such a dramatic statement.

How do we do that?

  1. Build community into the school. Using specific classes such as advisory, or a team-based approach to schools, allows teachers to intentionally develop a relationship with individual students;
  2. Strengthen access to mental health support. Through hiring counselors and partnerships with mental health agencies students in crisis can be given the individual support they need to get through an individual incident or a long-term mental health concern;
  3. Teach grit, and that it gets better. Let students know that their current personal, academic, and interpersonal concerns are not world-ending. Instead they are temporary, and they have solutions.
  4. Teach empathy. Give everyone the skills and the responsibility to look out for one another. Let them know who to talk to if they are worried about themselves, or if they are worried about someone else.
  5. Offer multiple definitions of “success” in education. Celebrate athletes, artists, academics, and advocacy. This allows for students to be part of the community of the school without having to pursue one or two narrow definitions of what it means to fit in.

In a society where children have nearly unlimited access to every imaginable media, from supportive videos reassuring them that “it gets better,” to destructive videos idolizing and rating school shooters, we cannot put up a barrier to keep problems out. We must instead equip students with the skills and the support to make wise decisions and to look out for one another. The answer is not bulletproof whiteboards. The answer is not ALiCE. These are band-aids as a response to needed heart surgery.

 

 

[1] And here are some of them: https://d3n8a8pro7vhmx.cloudfront.net/promise/pages/17/attachments/original/1445441287/Gun_Facts.pdf?1445441287

[2] https://saferschools.ohio.gov/sites/default/files/HB178-TB15-001%20-%20Flow%20Chart%20-%20final.pdf

Are You Handing Out Hidden Rewards?

We all know this child: The one who seems too precocious for the classroom and keeps getting “in trouble” again and again. She finds her way to other students’ work areas and draws them off task, each time with a plausible excuse. “He had a question, and I was trying to help.” She finds her way into the hall several times throughout the day. Sometimes on a hall pass she extends her trip to another classroom or to the office, or just to a completely different part of the school, on an errand that was not part of the reason for leaving the class indicated on the hall pass. We can see her now. A name (or two) has come to mind.

Perhaps she is, again and again, involved in a conflict. Or merely a witness to misbehavior, stopping in to the office and offering to report her version of events. She seems to need to be part of the action in some way. Perhaps she is constantly in time out, or in-school suspension, or the office of someone in the school who provides consequences. Many staff members know this child’s name, maybe all of them do, and most of them utter the syllables with a tone that conveys frustration and exhaustion.

She is frequently “in trouble,” a vague term that is akin to indicating that a child is “bad.” The term “in trouble” seems to mean, “about to receive a punishment for misbehavior.” It also seems to mean something like, “out of the classroom or off her regular schedule because of misbehavior.” That seems to perfectly describe this student we are holding in mind.

We then look sideways at this student and ask ourselves, “What is wrong with her?” We look at missing assignments, lost instructional time. “Doesn’t she want to do well in school? Doesn’t she understand what she is doing to her grades?”

It is baffling to us as educators. Many of us were good students who enjoyed school. After we became teachers, we worked hard to make our classrooms orderly and secure places where every student – especially this one – felt included and supported.  We constructed lesson plans with her in mind, referencing her favorite musicians, and selecting readings about people with a background like hers. We provide as much care as we can, and yet this child seeks constantly to be somewhere else. In spite of consequences. In spite of detentions and worse. In spite of always seeming to be “in trouble.”

But perhaps when we ask, “what is wrong with her?” our question is flawed. She is, after all, a child. She is, after all, behaving. She is acting in a certain way, contrary to our rules and expectations.  She is, some might say, misbehaving. What if the question is NOT “What is wrong with her” but is instead “What is right with her?” Behavior can be understood, and is often predictable within certain parameters. If she is behaving to get something she wants or needs, a primary driver of all behavior, we might be looking in the wrong place when, in order to identify the locus of the problem, we look at the student.

Perhaps the correct question is, “What is she receiving as a result of these misbehaviors?”

You have placed her in time out and you are discussing her poor choices. But what if she loves spending time with you?

It turns out, she may be receiving quite a lot. When our intent is to provide a consequence to a student, to discourage a misbehavior and provide a replacement behavior, we sometimes do the opposite. Behaviorists like Skinner say we can change behavior through negative stimuli, but what if the student does not see our reaction as negative at all. What if underneath the time out chair, there is something that the student sees as a gift or reward. In our hurry to move on to the next task, or out of our habits and past experiences, this reward is hidden from our sight, and maybe from her conscious sight as well.

Below are four of these hidden rewards, observed in schools and classrooms everywhere:

– special status or privileges

– fame / recognition among adults and students

– individual attention

– avoidance of work

 

Special status or privileges:

Ladene has been notorious in the school for years. She has been at the periphery or center of dozens of conflicts, and when she walks in to school in the morning, the look on her face can reveal what sort of day the whole classroom is about to have. Mrs. Crawford, well-intentioned staff member, has struck up a relationship with Ladene, befriending her, and offering her solace. She even allows her classroom to be used for meetings with Ladene and her counselor from outside of school, assigned by a social service agency. On these “bad days”, Mrs. Crawford directs Ladene into her room, calls the counselor, and then starts her own day, answering emails, monitoring the hallway, or making phone calls. A colleague was surprised one morning to find Ladene in the office pouring a cup of coffee. “It’s okay,” Ladene explained, “it is for Mrs. Crawford.”

Key features of special status include the student being asked to or allowed to participate in the work of the school when she is “in trouble.” Does someone in the office have this student stuff envelopes or sort mail to “give her something to do”? Is she asked to deliver messages or retrieve things from classrooms? In this case, Ladene had access to a part of the school typically reserved for teachers.

“What is the problem with this?” some may ask. “She is getting the attention she needs, and necessary counseling, and it is preventing interruptions in the classroom. She is additionally forming relationships with adults in the school. Isn’t this what we want for our students?”

Yes, we want the student to get support and to form appropriate relationships. It is fair to ask, however, whether doing these things during instructional time is an effective way for her to make the gains she needs. When will she make academic gains? When will she learn to self-moderate? Additionally, running an errand does not establish an appropriate relationship between an adult and a student in a school. Although Ladene saw it as “okay”, it was definitely not.

Ladene regularly finds herself running a quick errand for Mrs. Crawford, or in the teacher lounge, or using a teacher restroom as she waits for her counselor. All as a result of her inability or unwillingness to follow the rules and expectations in the school. The “hidden reward”, attributed to her as a lack of desire to do well in school, is actually a strong desire to belong. She is not misbehaving, she is behaving in a way that earns her special privileges. She gets to pour a coffee, or walk the halls announcing it is okay that she does not have a pass because she is running an errand for Mrs. Crawford. She has access to parts of the school others don’t, and while her classmates are struggling with geometry, she is overhearing important conversations about other students.

 

Recognition:

“Mr. Jose, you have to do something about Adrean. She is a mess. She is always in the hall, she never has a pass. She is always in trouble with someone.” This was my afternoon custodian. I was surprised that he knew the name of one of the students, but not really that it was this one. In class she is precocious, offering to answer certain questions and feigning disinterest in others – perhaps to cover deficits – and she is a generally a good student. One or two poor grades each quarter separated her from the honor roll. Teachers have become accustomed to her disruptive behavior. I sometimes wonder if some sign her hall pass because it generates a few minutes of calm in their classroom. Perhaps this is unfair.

Key symptoms of the “recognition” hidden reward is a student who is comfortable talking with the adults in the school, even those who are not her teachers. She knows all their names too. If she overhears a conversation involving a question for another adult, she will helpfully offer, “Oh, he is down in room 121. Want me to go get him?” She has a remarkable, and seemingly up-to-the-minute understanding of where everyone is in the school at a given moment that rivals any adult in the school.

What is the problem with this? Certainly we want our school to have a family feel, with adults and teachers in various roles familiar with each other. We even like to boast that we are “in each other’s business” to some extent, right? How can you be interdependent if you don’t know each other?

Adolescents are actively seeking their new adult persona. Crafting a persona that is gregarious is certainly acceptable and a good goal. However, there is a problem with negative attention. A student who relishes this persona, who covets any attention, even negative attention, will then fail to normalize appropriately, practicing misbehavior to get what she seeks. Practicing poor habits over time leads to poor outcomes, and a developed personality that prefers notoriety over accepted norms.

 

Individual attention:

Sarah seems to start every morning out by crying, but perhaps it is really only once every week or two. A small gaggle of girls cluster around her locker, or the door outside the office, where she is recounting a recent series of events that have rendered her incapable of attending class, or even at times coherent speech or even the ability to stand. Minutes later, under the supervision of a counselor or a sympathetic teacher, she seems composed, and fully recovered.

Over time, a pattern emerges. She breaks down, gets escorted to someone’s office, she marshals her forces and is able to recover only after a one-on-one conversation, preferably behind closed doors, with any of a number of adults in the building.

What is the problem with this? We want our students to have a network of adults to whom our students can turn when they are in trouble, and the occasional counselor visit is necessary for nearly everyone. Adolescents especially struggle with new extreme emotions – reactions to death, separation, breakups in relationships with trusted friends. These are trying times. However, seeking out this individual attention to the exclusion of developing normal relationships with teachers, cultivates a sense of learned helplessness. This person could develop into an adult who enters dependent and perhaps abusive relationships, as she tolerates increasing maltreatment in order to get the individualized attention she craves.

 

Avoidance of work:

Chris was making his third trip past the office during this passing bell. When asked – as the tardy bell rang – where he was supposed to be, he pointed back down the hall, in a direction that would mark his fourth trip past the office. Shortly after entering class, he was removed by the teacher for failing to follow directions. A tardy combined with a removal from class was a special kind of marker.

On this day, there was a program happening in class that was bound to make some of the students uncomfortable: a presentation on “sex ed.” The students had been prepared for this day primarily by being told it was happening. A range of adolescent responses had bubbled up. There was anxiety, eagerness to learn, curiosity, and embarrassment. By arriving late, then refusing to follow directions once he entered to the point where he was asked to leave, Chris avoided all of this. He would be unlikely to admit that it was intentional. While he will continue to pretend to be very knowledgeable in front of his friends on the subject of sex, we can be certain that he was brimming with important questions. These are questions that he does not have the answers to now, as he was not present to ask them.

These same types of behaviors become patterns in students who are not experiencing success in school. It is not rare to observe that rather than risk struggling and failing in front of their friends, some students will choose to misbehave. When asked about his poor grades, Chris or someone like him might say, “Sure, I can do it, but they keep suspending me.” Being afraid to fail has multiple negative effects on students.[1]

Other evidence of work avoidance is getting removed from the same subject regularly. A student may blame this on a personality clash with the teacher, perhaps stating “she is out to get me.” Work completion percentages indicating large amounts of missed work, and poor overall grades will help reveal the truth. Additionally, this student will occasionally shout out correct answers or raise his hand to participate. This may lure the teacher into thinking he has the skills to be successful. She may comment, “He is really smart but he is always in trouble.” This prompts a hidden reward within the hidden reward: now the disruptive and work-avoiding student gets the bonus of being labeled by the professional as “smart.” This allows him to double down on his claim that he is competent, but the victim of circumstances. However, if he is selecting when to participate, he is likely only getting involved when he is sure he knows the answer. He is rigging the game to appear as if he is mastering the content, when in fact he is only grasping bits and pieces. Tomorrow, rather than take that test, he is likely to be argumentative until he finds himself again removed from class.

The problem with this is obvious. The student who is constantly “in trouble” to avoid work and expectations is both disruptive to others and injurious to himself. How can anyone, Chris or his classmates, learn in a class where a student is willing to be disruptive in order to avoid having to struggle and learn?

You had to remove him from the room. But what if what he really wanted was to have an excuse for that poor test grade?

In her recent presentation at the AMS annual conference, P. Donohue Shortridge (pdonohueshortridge.com) reminded teachers and administrators of their role in dealing with misbehavior. She discussed “taking a wider view of conflict and disquiet” which she resolved into the notion of “Inner work – the transformation of the adult.” She implied that this second work was the transformation of the self. Much of what happens with a child is beyond our locus of control. As educators, we are in a privileged place to exert more control than others.  We must seek to identify how our actions and reactions are contributing to a situation. The teacher who provides hidden rewards to a student “in trouble” is working against the child by encouraging and rewarding behavior that separates the child from her work.

There are some steps the adult can take in order to determine if they are providing hidden rewards to students.

First, look for patterns in the misbehavior. These patterns can be revealed by looking at several metrics:

  • Are they happening at certain times of day? (yes? Maybe avoidance.)
  • Are they happening outside of class, during arrival, transitions, lunch, and dismissal? (Yes? Maybe individual attention or special status.)
  • Are they happening during a specific class or classes? (Yes? Maybe avoidance or individual attention.)
  • Are they happening with males or females only? (Yes? Maybe individual attention.)
  • Are the behaviors correlated with poor grades? (Yes? Maybe avoidance.)
  • Does the student have only one particular adult who can fix the problem? (Yes? Maybe individual attention or special status.)
  • Does the misbehavior continue when the student returns from the intervention? Yes? Maybe individual attention or special status.)

These patterns can help reveal which hidden rewards the child is receiving. If possible, create an intervention that short circuits the hidden reward. For instance, if the child is seeking to avoid work, a teacher might initiate some planned ignoring as the student exhibits low level misbehavior. When the child misbehaves, instead of immediately correcting him, the teacher might talk to the student as if he was doing what was asked, or the teacher might walk away and say, “I will return when you are ready to work.”

Another example, this one for students seeking individual attention, would be to build one-on-one time in to a student’s schedule as a standing item or as a reward for positive behavior, instead of a consequence for misbehavior. One student, Jasmine, desperately sought my attention at Friday Night School. I could get her to sit quietly for the first half by promising to sit beside her and work on one subject together for 15 minutes later in the session. It was clear that she sought one on one time with any adult in her life. It occurred to me that she might be willing to get a consequence just to get this individual time. I realized several students had this same need for individual attention and support. As a result, I offered to her – and to the whole school – the option of attending Friday Night School for support with academics rather than as a consequence, with the option of greater freedoms including use of earbuds and smart phones, and permission to leave whenever they were ready to leave. Jasmine received one more Friday Night School after I made this switch, and twice after that attended just for the academic support. Eventually she chose to start staying after school for help nights with a teacher. Either I was not as helpful as him, or perhaps she just wanted a better start to her weekend.

Second, an overarching approach to circumventing hidden rewards is to develop, and follow, a chart of progressive responses to misbehavior as a school. This includes escalating (and varied) consequences for misbehavior. So for disruption, a child might go to a preferred adult as a consequence once or twice, but then this would escalate to a time out in a separate room, a detention at lunch or after school, or other time outside of class time. By changing the consequence, a hidden reward does not have a chance to undermine your work with the student.

Third, it is important to develop a uniform personal approach to addressing possible misbehavior. When I encounter a student in the hallway during class time, I ask either, “May I see your note?” or “Where are you supposed to be?” Students provide a range of responses, but all of them give me a clue as to whether they are in the hallway with someone’s explicit permission or with a legitimate goal. While I enjoy the company of my students, my role during class time in the hall is to help them get back to class, not to be their friend. I have developed specific phrases and habits to address specific types of misbehavior, and I work hard not to vary from this script. In this way I am being fair and consistent as much as possible.

A final suggestion is to respect the work of other teachers and adults in the school. Trust that they have developed lesson plans that are valuable for the student. Trust that they have planned a response to misbehavior that is appropriate to her needs. You do this by prioritizing class and the work in the room over your own perceptions of what the student needs. Sure she has THAT look on her face again this morning, but swooping in to save her each time robs her of the chance to learn how to deal with those emotions. It means helping the student be dependent on you instead of herself.

Examine your practices. Are you providing hidden rewards for your students? How can you short circuit them?

Please put an example below so we can learn from each other.

 

[1] British Psychological Society (BPS). “Fear of failure from a young age affects attitude to learning.” ScienceDaily. www.sciencedaily.com/releases/2014/09/140921223559.htm (accessed March 13, 2017).

Angels and Superheroes Reader Survey

Friends, Angels, and Superheroes, we are very thankful for your readership. For more than a year, and over 60 posts, we have provided research, personal stories, insights, and perspective on a broad range of educational topics. Some of you have patiently tolerated our musings, while others have eagerly read articles and passed them on to your friends. In one case, you have passed an article on to some 360,000+ other readers!

We are inspired by each of you. Krista once said that it was ridiculous for one of us to be named “Educator of the Year” because none of us are angels or superheroes. Instead, we are all hard-working, passionate individuals. Many of us spend our extra time and spare cash improving our school and the lives of those who enter it. It takes all of us.

So we want to hear from you. Please take 5 minutes (or less, depending on the length of comments you choose to make) to answer the questions at the link below. This will help us make Angels and Superheroes even better. Next week we return with a look at how to make conversations more productive in every setting, discussing the work of our friend Craig Weber, author of Conversational Capacity.

Please select this Survey link.

Or copy and paste this address into your browser:  https://goo.gl/forms/saL8X8dCT4yjigQW2

Thank you,

Jack and Krista

Control in the Classroom: Letting Students Lead

I hadn’t been teaching very long before I discovered that my students were naturally boundary pushers who wanted the approval of the adults around them. I came to the conclusion that managing a classroom was a balance of subtle approvals and implicit corrections. Running a classroom, like the game “Operation”, took a pretty steady hand. Getting a group of naturally oppositional and quasi-autonomous adolescents through the Cincinnati Public Schools English curriculum, especially the independent reading requirement, was a challenge. Many of my students were disinterested in reading. Or at least they lacked the skill set and the resources to figure out how to pick an engaging new book, so picking six over the course of the year was a daunting task.

Worse yet, I had unwisely placed restrictions on the books they could choose – I told them it had to have a certain number of pages, and that I had to approve it (among things I considered very important at the time were reading level and font size.) I guess I was trying to prevent them from reading the Magic School Bus, or maybe I was concerned that students would try to bring in a stack of Dr. Seuss books and read them in a single sitting, thus completing their independent reading requirement.

So I got some of the things wrong. I know now that most young readers need a lot of help selecting a new book – recommendations from friends about the subject area, engaging main characters, and strong writing were necessary supports to get a non-reader into a new book. I also know now that even good readers routinely select books far easier than their current reading level. Readers, even good ones, don’t necessarily read or revisit easier books because they lack reading skills or as an attempt to skirt the rules, but because they find that particular book engaging. No reader wants to be at the “frustration” level in every book they read, and certainly young readers don’t want this.

But I got one thing right. Wanting to take advantage of the rebelliousness, I issued each student a photocopy of a list entitled “The 100 Most Commonly Banned Books in the US.” We talked about why books might get banned, either from communities or certain schools. We marveled that the Bible and the Quran were both on the list. Students leaned forward in their seats as they defended the right of authors to say whatever they wanted in a book, and a small cadre of black students defended the use of racist language in The Adventures of Huckleberry Finn. “Look, that’s probably what he called Jim. Jim didn’t seem to mind.” To a person they were shocked and a little outraged that an individual school, district, or town could simply ban a book.

And then, when they were at the height of the discussion, I reminded them of the reading requirement. And then I added, “I hope you will consider choosing your independent reading books from the most banned books list.” I pointed to a few that other students had enjoyed reading, including Go Ask Alice, The Outsiders, and The Chocolate War, and challenged my best readers to take on Brave New World, which explored themes of dystopia that matched our second semester theme.  We scratched a couple off the list however, including To Kill a Mockingbird, which we had already completed, and Of Mice and Men. I told them, “We are going to read that in class this spring.”

As I had hoped, students arrived the next Monday with their books, many checked out from the library instead of purchased. Some were excited to report that they had started reading already. One student expressed disappointment. “I read my whole book over the weekend, Mr. Jose: The Giver. I don’t know why it was banned. There’s nothing in there that’s bad.” In a brief exchange, I related why the themes of the book were controversial in some areas, and then I asked her to hold on to that idea, because the themes related so closely to our second semester work. (The next year, largely because of our conversation, I added the reading to my dystopia unit.)

What had I done? Sure, I had tapped into their inner rebel. I knew that would help. More importantly, though, I had given them choice. Students who have this kind of control in the classroom, to help drive the direction of their instruction, are far more likely to get engaged with their learning. Adolescents are naturally keen to push back against unreasonable limitations. I had given them a tacit permission to question authority, to doubt the justice in banning certain books, and to explore the boundaries that various communities placed on their students.

Giving students choice in the classroom is one way to let students lead.

Letting students lead means giving up some control in the classroom

At Edutopia, Rebecca Alber explores student choice in her article “5 Ways to Give Your Students More Voice and Choice” She proposes allowing students to lead their learning by expressing what they wanted to learn about, or having a team of students explore a topic they collectively found interesting. Structuring their interests to guide further learning, and thinking out loud to model how one topic builds on another help build skills that will serve a lifelong learner. Finally she suggests allowing students to have a voice in how their work will be graded.

George Couros, author of The Innovator’s Mindset, is an advocate for unleashing students’ creativity in the classroom. He regularly posts ways for educators to help students create content and take charge of aspects of their own education. His recent post on creating meaningful change highlighted an important part of the professional creative process. He asked the question, “What if every teacher tweeted one thing a day they did in their classroom to a school hashtag and took five minutes a day to read each others’ tweets? What would that do for learning and school culture?” He is asking, what if we were listening to each other?

We are asking, what if we were listening to our students?

Each year, for each sport, Gamble Montessori honors our senior athletes at our last home game for each sport. But eight years ago we had no tradition, we only had our first graduating class. Tracy Lynn proposed a senior night as she had seen the previous year, when we were combined with Clark Montessori for volleyball. But then she took it a step further. She encouraged us to honor the seniors from the visiting team as well. So as part of our ceremony that night, she received a flower, a miniature volleyball with her uniform number on it, and individual recognition. Our opponent’s seniors were also recognized individually and given a flower. A student showed us grace and courtesy by thinking of her opponents.

Our school started in 2005. That means our first groups of students had a lot of opportunities to impact the whole history of the school. So we helped them lead.  When we formed, we did not have a mascot and school colors. In fact, we were initially formed with a school name we would later officially change. Some teachers approached me and our LSDMC (a local school decision-making committee, empowered by the Board of Education to make key decisions regarding the school, including approving the budget and helping hire the principal) with their ideas for branding the school. “How often does a teacher get to choose their school’s mascot and colors?” they asked. It was clear in one case that the teacher had given the matter considerable thought, presenting me with color drawings of his intended mascot. I rejected it, politely, and turned the decision over to our students.

How often does a student get to choose her high school’s mascot and colors?

Our teachers led our first graduating class through a process of brainstorming and winnowing the choices, with the goal of selecting our permanent mascot and school colors. At the end of the process, the students returned a mascot proposal, and a surprise. Predictably, perhaps, they chose as our mascot a “Gator”. This made us alliteratively the Gamble Gators, and this also matched the mascot many of them had brought with them from our feeder elementary school, the Dater Gators.

The surprise came from letting our seniors lead: given the option to make the choice themselves as the first graduating class, they decided to share that privilege with their schoolmates. They asked me to let the entire school vote on our school colors. At our direction, they narrowed down the options to a ballot of five color choices, and planned a vote to take place the last week of school their junior year. They tallied the results and sealed them in an envelope, which I received minutes before stepping out in front of our entire school. The result was NOT what I would have chosen. And that is fine. The students chose purple and green. Purple and green we are.

In this way we allowed our students to lead in creating our school. There are other important places where we allow them to make important decisions about their own education each year.

As a requirement for graduation, our students must complete an immersive year-long investigation of a specific topic that is then presented to an audience of peers, parents, teachers, and other adults from the community. We call this simply senior project. Through a process of self-exploration and conversation with teachers and peers, a student derives his senior project topic late in his junior year. Compared to a traditional approach to selecting topics, where a teacher presents a list of topics students might encounter in a book (at least, that was how I used to do it in my classroom), students are more deeply engaged. Often students pick a topic that is not just of intellectual importance, but of deep personal relevance, exploring matters of faith, relationships, race and discrimination. Other times they pick a topic that is engaging to them and sustains them through hours of reading and research. This can create profound realizations that transcend the curriculum.

Having students lead means letting them work at the top of Bloom’s taxonomy.

In senior project students are provided choice in how to show mastery of a topic. This was a model I used in my own classroom, and was made easier, I am sure, by the fact that I taught English. Students could show mastery of certain aspects of a unit through writing an essay, of course, but successful student projects in my class included dioramas demonstrating mastery of aspects of setting, drawings depicting theme, or (one of my favorites) playlists of popular songs depicting characterization. Students were creating their own vision of how to show they had learned. This is profound, because a student who is asked to design her own assessment must not only think about the content, but think about how best to represent it. This is a cognitively demanding task, at the top of Bloom’s taxonomy – a combination of synthesis and evaluation.

Helping students take control of the classroom (or even make key school decisions) can be scary. It should be thought out, and intentional, and it is appropriate for the teacher to set parameters. There are aspects of the work that are rightly variables for students to manipulate, and there are some which must remain firmly the teacher’s call. Certainly boundaries of decency, fairness and inclusion, and demonstration of mastery remain the full responsibility of the adult guiding the learner.

Creating work within those boundaries can provide students opportunities to grow and claim meaningful ownership of their work and work process. This is the greatest learning we can structure for them. By calling out to their inner rebel, and setting them up to challenge themselves … and then rise to that challenge, we create lifelong learners.

A Dramatic Turn

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Teachers training to lead the JumpStart Theatre program.

In the 2015-16 school year, Gamble Montessori earned a chance to participate in a groundbreaking new theatre program through a competitive application process. The Educational Theatre Association (EdTA), a large national actors’ guild, had initiated a program called JumpStart. Designed to help schools develop drama and theater programs, JumpStart targets schools that have no drama program. They provide training for teachers, access to modified musical scores which are tagged with the label “Jr.” (e.g. Once on This Island, Jr., or Annie, Jr.), and a structure for staging your own middle school musical in the spring.

 In order to be selected for JumpStart, the school must first verify their dedication and determination to establishing an ongoing drama program. This is determined through interviews, where our responses to a series of questions were investigated to make sure we had the resources and initiative to accomplish the work. Once a school was selected – Gamble was one of three in this inaugural round – JumpStart provided support throughout the process.

 Following the successful staging of Once On This Island, Jr. at Gamble Montessori in the spring of 2016, I was asked to speak at a fundraising breakfast to a group of EdTA donors. Other speakers from EdTA spoke about how the program came about, and between each set of speakers a professionally produced video was shown. Each video featured snippets (like this one) from the training or the performances, and interviews with those involved, myself included. Below are my remarks, edited for clarity.

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Watching a video at the breakfast.

Good morning.

You probably know me from having seen me on this wall in that last video.   I’ll be available for autographs afterward.

When they called and asked me, “Would you like to speak to a group of potential donors about …” I said, “Yes.”

I am a huge proponent of the Educational Theatre Association’s JumpStart Program. I asked, “What would you like me to talk about?  Would you like me to talk about my staff and how amazing it was that three teachers, a paraprofessional and a volunteer from the community got together and gave all this time to help these students? And how they split between them a very, very modest stipend?” And they said, “No, no.”

So I’m not here to talk about that.

I said, “You know, I can talk about how the program has grown. How the first year we only had 10 or 11 auditions and this year we had 30; and how the number of parents quadrupled from the first meeting to this year’s meeting and what enthusiasm has been generated in the school.”

They said, “No don’t say anything about that, we will take care of that piece.”

So I scratched that.

And I offered, “You know, I could talk about those moments in the performance where I cried.  One was the moment where the students, a dozen of them, were on the stage. And they did this dance number, and they were all doing their own thing, and it was very clear that they were all hitting their marks and they were looking at each other. You could see this confidence and trust that only comes from working together as a team and a group. Or I could talk about the moment where they said, in a very mature way, about how this female character was ‘healing’ this male character,” (with both hands I did air quotes around the word ‘healing’.) “And how middle school students pulled off a very mature joke and it was funny. And because it was funny in just the right way, I cried.”

And they said, “No, don’t tell that story. We have videos.”

So I’m not here to talk about any of those things.

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Jack speaking at the fundraising breakfast.

I want to talk about the students.

I can just tell you, first of all, I think you already heard evidence of what I am about to tell you in the comments from the speakers before me, and in the video with student interviews that we watched together. Obviously the students were affected by the experience. And these students were a cross section of our school.  At Gamble, about 75% of our students are eligible for free or reduced price lunch.  That means that many of our students live in poverty, essentially.  We provide every student a free breakfast and a free lunch at school every day.  Many of them need that. Many of them don’t.  For a few of our students that’s the only meal that they eat.

That description is not true for all of our students at Gamble Montessori; as a school we have some students who come from traditional two-parent working professional households along with some who have experienced profound poverty.  And students from all of those situations participated in our theatre program, but I want to talk to you about one student. I want to talk to you about Ty’Esha Whitfield. I want to tell her story, but first I’ll let you know that I spoke to her and got her permission to tell this story. And I spoke to her mother and got her mother’s permission to tell this story.  I would never share this kind of privileged information about a student without that level of permission because, well, it’s a powerful story. And it is personal. And it might make some people uncomfortable. I will say that it should make some people uncomfortable.

Ty’Esha at the start of the year was a quiet, heavy set young lady who came to our school and didn’t have a lot of friends. She came from an elementary school where not a lot of her peers came to Gamble.  Gamble Montessori is a magnet school.  We draw students from every neighborhood in the district, so it is possible that a student can arrive here in 7th grade without any of their 6th grade classmates. So no built-in friendships to start the year. And she was having trouble making new friends.

She is a conscientious child.  About the third week of school she was outside and several students were playing on a tree branch and she pulled on it and the tree branch broke. I said to her, “We can’t do anything about this today, but I’m going to bring the tools tomorrow and we’re going to fix this.  We’re going to have to cut the branch because we can’t leave the tree open to disease.” She looked crestfallen.

The next day I went down into the lunchroom looking for her and SHE tapped ME on the shoulder and she said, “Mr. Jose, what do we need to do to fix this tree? I’m ready.”

Ty’Esha is a conscientious young lady.

I didn’t know at the time, in the first weeks of school, that she had started meeting with our school psychologist, Patty Moore.  Her community teachers had referred her because she was having such difficulty making friends with students at Gamble, and she was very socially awkward. She had reported symptoms of depression. Our psychologist learned that one of the things she did to calm herself down was sing to herself a favorite Disney song. Patty was struck by her voice and videotaped it for her and played it back, so Ty’Esha could hear her voice. Patty shared the video, with Ty’Esha’s permission, with her teachers and with me.

She had a beautiful voice.  And we all encouraged her to try out for the musical.  And she got the role of Erzulie, the goddess of love, in our productions of Once On This Island, Jr.  She had a show stopping solo.  She was so proud of herself, and justifiably so.

About this time I talked with the psychologist and, with Ty’Esha’s permission, she shared the information I am about to share with you.

It turned out that during the production, during the practice and rehearsal stage, Ty’Esha and her mother had experienced homelessness in a most profound and deep way.  As soon as they were removed from their home, her mother had tried her sister and all her family members and extended friends.  For 2 nights they had nowhere to stay at all, and they stayed in their own car.

To her great credit, when I shared with Ty’Esha that I knew this, she said to me, in the fast-paced rambling way of someone confessing a long-held secret: “Mr. Jose, don’t worry, it was only 2 nights, and we were okay.  Then we were in a shelter, Mr. Jose, and now it’s better.  We were only there a couple of weeks, and I was okay with the not sleeping so much, I was really worried about my Mom.  But it’s okay now because after we got with our sister for a while, my Mom got a job.  And she’s now renting an apartment just a couple of blocks from school, so I can walk home after I practice for whatever this year’s musical will be.”

How can you do anything but love and care for a student who relates the story of spending two nights in a car, but then expresses concern that her principal would worry about her upon learning this?

Students hit their marks as part of a team.
Students hit their marks as part of a team.

Ty’Esha is the kind of student that a program like this touches and changes. It didn’t just change her individually, like giving her a great experience – which it did – but it literally changed her life.  It changed where her Mom chose to live so she could be part of this program.  It’s helped her stay focused on school while her family got back on their feet.  The impact of this program on our students is an inspiration to me and to the teachers and other volunteers who give so much of their time and energy to the program.

I’m telling you one story, but in reality I’m exposing hidden stories like this everywhere.  And I can tell you that without this program, that it’s possible that Ty’Esha Whitfield would still be in a situation where she was without friends or struggling to make friends. Where she wasn’t confident in school, and she didn’t have a triumph on stage. In fact, this wasn’t just an accomplishment, wasn’t just a great night. It was a triumph for a young lady whose life had not given her much winning at all. It had not given her much hope.

So as you think about those envelopes in front of you today, I want you to think about Ty’Esha and I want you to think about the work that’s happening in each of these schools and come out to the school nearest you, be part of it. Think about how you can give, with not just with your money, but think about how you can give with your time and resources and come out and be with us, and come to our performances. I can tell you other students’ stories, but I promise you that on every stage there are more than one of these stories.

The arts, in addition to being popular among students and families, correlate to positive academic outcomes. For instance, there is a positive correlation between the number of arts classes taken in high school and student SAT scores.[1] We also know that participating in band doubles the chance of performing well in senior level math classes, and that the effect is more pronounced among impoverished students.[2] The JumpStart program itself is working in partnership with Dr. James Catterall of the Centers for Research on Creativity to look at the effect of the program on students’ critical thinking, problem-solving, and other developmental assets. Early research, reported verbally on the morning of the breakfast by Jim Palmerini of EdTA, shows growth in these areas among students who participated in the program compared with a control group at the three involved schools, Gamble, Finneytown, and Holmes.

The JumpStart program expanded this year, to include a total of six schools. These now include Dater High School and Aiken High School, both part of Cincinnati Public Schools. Also in the program are Finneytown Middle School, Felicity-Franklin Middle School, and Holmes Middle School. Starting your own drama program is not an easy process, but EdTA has provided ample support and is looking to continue to expand its program and increase middle school students’ access to drama programs. If you are interested in participating in the program, Ginny Butsch would be glad to hear from you. You can contact her at gbutsch@schooltheatre.org. Or if you would like to support the JumpStart program financially, follow this link to contribute.

Gamble Montessori will be performing Annie Jr. March 17 and 18, 2017.

 

 

[1] Ruppert, Sandra S. “Critical Evidence: How the Arts Benefit Student Achievement.” National Assembly of State Arts Agencies, 2006. Web. 18 Dec. 2016 < http://www.nasaa-arts.org/Publications/critical-evidence.pdf>.

[2] Catterall, James S., Richard Chapleau, and John Iwanaga (2002), “Involvement in the Arts and Human Development: Extending an Analysis of General Associations and Introducing the Special Cases of Intensive Involvement in Music and Theatre Arts.” In R. Deasy (Ed.), Critical Links: Learning in the Arts and Student Achievement and Social Development, Washington, DC: AEP

Mission and Vision

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In this summer’s Professional Learning Communities conference in Minneapolis, Learning Tree Solutions educational legend Richard DuFour stood in front of the group to perform what seemed to be a bit of a large-scale parlor trick. He told us collectively, a crowd of over 1,500 people, that he knew the mission statement at each of our schools.

He then proceeded to prove it.

“At Tree City school,” he intoned, and the words appeared on the screen before us. “We will educate our students to meet their highest potential,” he continued, to a wave of familiar laughter. “To meet or exceed academic goals,” more laughter. “On the standardized tests,” he added. I thought perhaps this was an aside, but the words showed up on the screen with the rest. “To be good citizens,” it was starting to hit home. He DID seem to know everyone’s mission statement, and he ended with a very familiar line. “And to become … say it with me ‘life … long … learners.’” We WERE able to say it with him. He had indeed captured the essence of pretty much every school’s mission statement.

Perhaps you hear echoes of your school’s mission statement in his words. At first it can be disorienting to hear him get so much of it right. Or perhaps it causes frustration, to know that your statement, lovingly crafted by a group of teachers and parents over a period of weeks, sounds like everyone else’s. It may even seem to validate the naysayers – you know, the ones who showed up at the first meeting with a full pre-written mission statement.  Maybe the details of your statement are different, but the structure and focus are the same.

It’s okay. So what if everyone’s school’s missions statement sounds about the same? After all, aren’t our missions all the same? Shouldn’t we be working to create good citizens? Shouldn’t they meet academic expectations? Certainly in the end, they should be well-informed and reasoned voters and citizens. Maybe the mystery is that we don’t all have the same mission statement to start with!

Crafted in our school’s opening year, on a staff retreat designed for setting the vision and mission for the school, Gamble Montessori’s vision statement is: Incorporating Montessori principles, we will create an enriching academic environment and a diverse, nurturing community that allows us to achieve our limitless potential.

It’s all there. First, the statement of our identity, “incorporating Montessori principles” become our “At Tree City School.” There’s the mention of the academic goal, “create an enriching academic environment”. And, of course, the tagline. Only instead of lifelong learners, we are achieving “our limitless potential.”

It is not identical to the theoretical universal statement. The parts that make it different are what demonstrates your individuality.

A vision statement frames what your school looks like when everything is perfect – when all the pieces fall into place. What are we living into? What are we growing toward? It Is meant to be an aspirational statement about where your students, and possibly the faculty and parents as well, hope to be as a result of working together.

It’s there – right down to “our limitless potential.” It gets there starting from our Montessori roots, and passing through academics and our intent to create a nurturing community.

A mission statement, on the other hand, is supposed to move the aspirational into the practical. This can be the “who / what / how” of the work of achieving the vision. While mission statements are often brief narratives in one, usually run-on, sentence, they can also take the form of a list of descriptions of right behavior. Numbered statements are not unheard of in this situation. Either way, it should lay out a specific plan for achieving your vision.

One could suggest that Gamble Montessori fell short in specificity:

We seek to help each other develop as thoughtful, intelligent, inclusive human spirits who contribute to the stewardship of our community and planet.

Not much of a to-do list for achieving our limitless potential.

It is okay, though.

It is okay that our vision statement is imperfect, or indistinguishable from someone else’s.

It is okay that our mission does not fit the definitions provided above, in that it does not describe a list of correct actions to take, or provide a roadmap to helping our students achieve their limitless potential.

One could read books about mission and vision statements and glean volumes of information that would explain the many ways these statements are imperfect. A starter list of those resources is available here. One even promises to help you get your personal statement down to one word!

It is similarly okay that your statement is what it is. You do not, necessarily, have to create it from scratch. What is more important is that you make it yours. In fact, if you already have one, you can likely identify the steps you have taken in the next few paragraphs, and the rest of the advice still applies to you.

To create your mission statement, follow these steps:

  1. Find a way to involve everyone in the process, especially at the beginning and end. This can be done by utilizing contract time when everyone is required to be present, or soliciting volunteers to come outside of contract time. Alternatively, a straightforward questionnaire with two or three questions could offer everyone a say. Include those in leadership positions, such as a leadership council or Board of Regents.
  2. Ask yourselves, why do we do what we do? And, what could it look like if we did it perfectly? These guiding questions, or survey questions, should form the heart of your final statement. You are building a cathedral, after all. Only a stretch goal will force you to stretch.
  3. Find words and phrases that begin to summarize or encapsulate those answers. Do certain words keep coming up? Keep them. Are there specific words that summarize major concepts you heard in the gathering phase? Add them.
  4. Wordsmith it in a small group, focusing on making sure it captures the spirit of your school. Focus on making it shorter, and more comprehensive. Why a small group? Because wordsmithing by committee is a Sisyphean task.
  5. Formally adopt it. We have an Instructional Leadership Team, mandated by our collective bargaining agreement, who is responsible for leading instruction. Your school has some sort of governing group internally, and perhaps externally. Their imprimatur is an important step in this process. This is why you involved them from the start: if they are happy with it, and the staff is happy with it, the rest of the process has a chance to work. If they don’t, you have dragged your staff through a frustrating process to simply spin their wheels.
  6. Live into it.

This last step requires further explanation.

Living into your mission statement seems to contrast with the daily work of teaching. In those moments of grading, correcting student misbehavior, differentiating lessons, or turning in grade summaries to the principal, “our limitless potential” seems a long way away. It is easy to lose sight of the cathedral you’re building at the end of a long day.

It is okay that our vision statement is imperfect, or indistinguishable from someone else’s.

So what is the solution? One key part is to never let them get too far from your consciousness. Put your statements everywhere. Here are some of the ways we incorporate our mission, vision, and other core statements in our daily operations:

  • Just before the greeting at each meeting, we state aloud one of our core statements. In our case, this includes core values, mission statement, vision statement, staff agreement, and our district’s Board policy regarding the education of students with disabilities.
  • Organize your behavioral expectations based on your mission statement or core values. Post them in every common space, including the office, classrooms, halls, and restrooms, our rules are sorted into sections: community, hard work, learning, peace, and respect.
  • Incorporate discussions of your values into disciplinary conversations. Our student reflection sheet asks students, “Which core values were broken?” The student is then prompted to explain how that value was broken. (Interestingly, the frustrated student sometimes goes to great lengths to explain how another student, or even the teacher, violated a core value. That works too!)
  • Just put them everywhere: in your staff manual, on your letterhead, in a student agreement, in the staff agreement, on teacher appreciation mugs, on places yet unmentioned…

There is no drowning in the mission statement, there is only saturation. Every time we call ourselves to be the best we can be, it can serve to inspire us.

Please share your mission statement in the comments.

Make your classroom culturally responsive

It was a cold fall afternoon on the loading dock at Hughes Center High School in Cincinnati.  We stood on a platform of concrete several feet above oil-stained pavement, bracketed by two scraped and dented yellow metal poles. I was a beginning teacher in an urban high school, skinny and white, dressed just a bit more formally than everyone around me to avoid accusations of being a student. I was looking everywhere for someone to mentor me. My current target, we will call her Roberta, was contemplatively smoking a cigarette, her black fingers flicking ash absently toward me, her other hand pinching shut the top of her jacket, which was cinched tightly around her waist. I stood shivering next to her.

We were discussing a text we had read by a black author and with a black protagonist.  More accurately, I was asking questions about aspects of black culture that had arisen, and she was providing monosyllabic answers. I don’t remember the details of my questions. I am sure that they were misdirected, however well-intentioned they may have been. Perhaps they were insulting. I do not remember many of her responses, save one.  The one with which she dismissed me, forever: “You can never understand,” she asserted.  “You will never understand.”

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I was stung. I believed then – as I believe now – in the power of the written word to convey the human experience. That is the magic and the lure of reading and writing.  The Holy Grail I sought in every book I opened was that I would, upon conclusion, be able to honestly say about the author, “I know how she feels.” I was incensed that she believed I was incapable of understanding, or that even well-chosen words were incapable of conveying these truths. I invoked Toni Morrison and Zora Neal Hurston and Alice Walker, and I held them up to Roberta. “Are you really arguing that these authors are incapable of expressing their perspective? These women, among the greatest authors of our time, are unable to explain the black experience?” I argued incredulously. Roberta looked at her watch, dropped her cigarette butt on the dock and ground out its flame with a twist of her foot. A cloud of cigarette smoke and the fleeting wave of her fingers underlined her dismissal as she briskly walked to the door.

I had started my intentional search to learn about others who were different from me years earlier while still in college.  That is where I learned the transformative power of reading and writing. Under the tutelage of John Edgar Tidwell at Miami University, I was exposed to experiences of African American people who intrigued and fascinated me. I saw heroes and saints and villains and sinners. I experienced a range of lyricism and storytelling that matched what I had read from a canon of mostly white authors in the Anglo-Saxon tradition at Ashland High School. Ashland, Ohio is a rural town in north central Ohio, predominantly white, and at the time the largest minority population were a handful of first and second-generation families from India. Almost exclusively, my reading featured white male authors writing in the English language, with an occasional nod to other cultures. (Although it was there that I composed my first stanzas to my first song, an imagined additional two stanzas to Langston Hughes’ poem “Hold Fast to Dreams.”)

Somehow in that limited range, I nonetheless had come to believe in the power of literature to reveal a new world and convey it entirely. At Miami University I awkwardly bumped into the edges of that world, calling home almost breathlessly one morning to tell my mom I had seen seven black students sitting at a table together. I had never seen such a gathering. I believed I was in the heart of diversity. I still clung to my mother’s teachings about race, which was the simple mantra that we are all the same.

I had much to learn.

Some of what I learned over time was that my reading had taught me seemingly nothing. For just as Dylan Thomas’ poem cannot prepare you for the death of a parent, The Color Purple does not prepare you to teach in a predominately African-American school. So I asked questions. I paid attention. I was exceedingly polite. I learned about code-switching and ciphering and I learned to admit my earnest desire to do right by others.

Nearing the end of my college experience, still four years away from being dismissed on the Hughes Center loading dock,  I was assigned to observe a teacher and then do my student teaching at Western Hills High School in Cincinnati.

It was here, at West High, that I had a chance to experience life in a predominantly black school. The things I had read about were all there: the passion for learning, the aching poverty, the respect for educators, the ciphers, the storytellers, the Anansis. A depth, a resonance was added to my reading and, more importantly, to my understanding. But I had so many questions, and much more to learn.

It was also here that I learned about another minority group – white Appalachians. A decade later I would encounter Other People’s Words and The Education of Little Tree , meeting a group of people very conscious of how they were viewed by others, and quick to engage formally educated folks such as myself in conversation so they could “take me down a peg.” I proved adept at beating them to it, by insulting myself while proving my success, and quickly fit in.

The author with some of his students at the Harvest Home parade.
Jack takes a selfie with some of his students at the Harvest Home parade.

Twenty years later I would be a veteran principal at a predominantly black urban Montessori high school just over a mile away from my home. In between I learned that one must read about every issue from multiple perspectives. I read Gandhi and Orwell to learn about Indian culture and to question a Eurocentric view of conquest and authority. I read Philip Roth and Elie Wiesel and learned about a Jewish culture not created by the Holocaust but forever haunted by it. I read the words of Chief Joseph which permanently dispelled any notion I may have held that Native Americans had been somehow less noble or brave than those who drove them from the lands that contained their entire history. Alone, reading is not enough, of course. One must take this information and apply it in interactions with others.

Cincinnati Public Schools house students from countless countries who speak over 60 different languages. In Gamble Montessori alone there are first and second generation Americans from over a dozen different countries on multiple continents.

The opportunities for mistakes are many.

How does one create a classroom and a school community that is racially and culturally responsive where there are so many cultures? How does one find the space and time to teach about all of this? How does any person ever come to understand a culture that is different from their own?

I can start by revealing there are two wrong answers. The first wrong answer is to impose one culture on everyone, using the term ‘melting pot’ to suggest that ultimately all that will separate us is a middle name revealing a secret ancestry. The second, equally misdirected wrong answer, is to try to eliminate any vestige of culture at all. Both are equally impossible, and both rob us of the great gift of experiencing new cultures. My mom was partially right: in some ways we are all very much the same. However, it is our differences as much as our similarities that make us more than merely the object of curiosity, but which extend us to a greater sense of what it means to be human, and to challenge our concept of equality. Culture infuses every action, rule, and conversation in the classroom. Your culture, and your students’ cultures, will seep through no matter what you do. So instead of pretending they don’t exist, they should be learned about and celebrated.

Here are some ways we have found to create a place where students are welcome and appreciated for who they are:

Get to know your students.

  • Go to your students’ sporting events or concerts at school.
  • Personally call to invite their parents to Open House and Student-Led Conference nights (you do student-led conferences, right?)
  • Allow students to choose what they research for assignments.
  • Ask questions about their interests, perhaps using a start-of-the-year survey, and then follow up.
  • Go to other sporting events or religious events where they will be performing or working, or visit them at work.
  • Pay attention to their needs.

Learn about other cultures, individually and as a class.

  • Read books or articles by or about people from other countries and groups, especially those represented in your classroom.
  • Intentionally diversify readings and experiences, perhaps by asking “What cultures and countries are you interested in learning about?”
  • Work cultural and ethnic studies into your thematic lessons.

Standardize and teach the rules of grace and courtesy in your classroom – this softens the edges and creates space for being gentle when we make mistakes

  • Expect polite language for even common interactions.
  • Practice what to do in common classroom situations: someone gets angry and storms out, someone drops something fragile or loud, two students bump into each other, two students disagree on an important issue, a class divides over a thorny topic, etc.
  • Provide a place or a time for students to talk to you individually to address concerns about something that happened.
  • Teach students how to mediate their own differences, and include the practice of stating the other person’s position.

Keep reading books and articles about culturally responsive practices and apply what you learn.

I don’t claim to have gotten it all right. I have certainly made mistakes. I have, unfortunately, said things that were offensive in the moment or in hindsight. When these setbacks happen, the best thing, generally, is to acknowledge them and own them, and offer to try and make it right. Ultimately the best approach is to get to know each person individually, and try to meet them where they are.

Last year, one of our seniors had organized a walk through the neighborhood to raise awareness about abusive relationships. The group of twenty or so walkers who had gathered was comprised almost entirely of African Americans, students, and family members. We were milling around in the lobby, talking to each other as we waited for the signal to begin. I recognized a former student in the group and, as I spoke to him, my stomach growled. I had postponed lunch because I knew my senior had planned a lunch with green beans, mashed potatoes, wings, and my personal favorite: fried chicken.

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I was about to make a big mistake as a white guy standing in a crowd of blacks. I asked my former student, “Tell the truth: you’re here for the fried chicken, aren’t you?”

As if hitting a switch, the group got noticeably quieter. I realized what I had done. I had just blurted out a stereotype of black Americans. I owned it. “Oh my God. That sounded really racist, didn’t it?” As he started to nod, and say, “Yes it really did,” I added, “I just said that because I, myself, am here mostly for the fried chicken, I hear her mom can really cook.”

From behind me a voice said, “She can cook, but it was MY recipe. And you can have two pieces.” There was laughter. A reprieve. Another lesson learned.

What are your core values? (You have them, right?)

community

This summer, Scott Pardi, a teacher at Gamble Montessori high school, where I am the principal, called me.

“Jack, can I rewrite Gamble’s core values?”

Scott was part-way through his Montessori certification classes. I understood immediately. He was taking Structure and Organization, and was working on specific artifacts to help manage daily issues in his classroom. His was not an existential question, a core values question per se. I knew what he meant. He was fine with our values: Community, Hard Work, Learning, Peace, Respect.  They are posted throughout our school, on the letterhead and elsewhere. In the classroom, each word has a description created to help students understand the core value. These are legacy descriptions, handed down from our school’s first set of teachers, created on our school’s first ever retreat.

The descriptions are generally fine, with one really awkward exception. In this paragraph, the school is symbolically a hand, and every part contributes to the work. The unfortunate phrasing is “each joint supplies …” I can quote the rest but it is immaterial. You see the problem, right? Especially in a room full of adolescents, in an era of debate over the legalization of marijuana. “Each joint supplies …” could send a student off on an awkward and unproductive tangent. Yes, he could change the descriptions!

Upon telling him that, I also quickly drew a red line, to give him the guidance he sought and to make clear where experience and research told me we could not go: the five values must stay the same. He could rewrite the awkward descriptions. It was important that the values remain constant and consistent across the school. This is explained later in this article. However, the descriptions could – and should – be the subject of continual revision and conversation.

Even better than the core values you have? The ones you use. Those are the perfect core values.

He had started the work already, anticipating my answer, and started to read one of the proposed descriptions to me. He paused self-consciously in the middle and said he needed to wordsmith it, starting to apologize. I stopped him mid-apology. I reassured him that the most important thing was that he was grappling with the meaning of the core values for him, and for implementation in his classroom. He was internalizing them and making them his own. It was impossible to ask more from him in that moment.

Many schools and other organizations have core values. Some call them beliefs. Some embed them in a vision or mission statement and some, like us, separate the three: mission, vision, core values. Gamble Montessori’s values, Community*, Hard Work, Learning, Peace, Respect, were “borrowed” from Clark Montessori, our older sister school, as we attempted to model our program on their success. In Cincinnati Public Schools we have occasionally been encouraged to develop a core set of values, often as part of the Positive Behavior Interventions work that we cycle through regularly. Down the street, our closest high school neighbor, Dater High School, asserts, “At Dater High School we …. Work Hard, Love to Learn, Never Quit, Care, Prepare for the Future.” Pleasant Ridge Montessori, another of the public Montessori elementary schools in Cincinnati, proudly proclaims “PRM ROCKS”, which seems to suggest 5 core values. However, their core values are Respect, Ownership, Kindness, Safety. (Yes, they are aware that this is really “ROKS”!)

These examples point to the obvious truth about core values: the most important thing is to have them. There are no wrong core values, except for the ones you don’t have.

Hard Work

That said, there are a few rules you must follow if you wish to develop core values for your school or organization. The process can be flexible but must meet these three criteria.

  1. Create your core values cooperatively. Deciding what you are about as a group requires a group effort. Mottos, visions, and core values passed down from on high, or from years and years earlier, carry less weight than a shared vision developed together. This does not mean that legacy values and mottos are useless. However, if you are starting from zero, the process of discussing, defining, and articulating your values as an organization increases buy-in and ownership.
  2. Select a manageable number of core values. The examples I include in this article all consist of four or five core values. If you go fewer than that, you run the risk of missing large swaths of behaviors that occur in your school on a given day. If you go much beyond five or six, you dilute your message and they become meaningless or overlapping. This does not mean overlap is necessarily the enemy. Too many “core” values is a problem.
  3. State them positively. This rule is true about all sets of rules, including core values and mission and vision statements. Give people something to live in to, something to become. Many teachers create sets of rules for their classes that define what you can’t do: “Don’t leave your seat without permission,” “don’t interrupt others,” or “don’t talk without raising your hand” are some examples. Stating the expectations positively sends a message of opportunity rather than the message of limitation set by these negative examples. The Dater High School example above is an exemplar of positively stated core values, for instance “Work Hard” provides a clear directive to a person.

The purpose of core values is to instill in the group a common sense of purpose and meaning. Earlier I used the phrase “drew a red line” to describe my reaction to a change in the core values in Scott’s classroom, while allowing him to change the descriptions. This is because as a school, we are invested in setting clear boundaries for our adolescents. These boundaries and expectations, when repeatedly reinforced over time and throughout our spaces, become instinctive and ingrained in us.  This is not because our core values are infallible. In reality, the absolute best core values are the ones you have. Whatever they are.

Even better than the core values you have? The ones you use. Those are the perfect core values.

How does one “use” core values? Below is a starter list of ways to saturate your school with your core values, to reinforce and teach them multiple ways.

Post them in the classroom

Placing attractive and legible versions of the core values in a prominent place in the classroom helps provide a framework for the expectations in your classroom. This is strengthened if the values are posted throughout the school, and as they are utilized in the additional steps below.

Learning

Use them in your classroom and building rules

Relating each of your classroom and building rules to the core values, perhaps using each value as a “header” with specific rules beneath it, you move toward several important goals. First, you justify each procedure or rule as belonging to a larger structure of rules, giving each a raison d’être. Second, it helps students categorize each expectation, which in turn aids their memory and makes it more likely that the rules will be remembered and followed.

Place them throughout the staff manual and the student handbook

Core values can help serve as an organizational structure for your handbooks. Much like with the classroom rules, using them as an organizer helps justify rules and expectations. Placing them here also ensures that they will be seen at least once a year as you review the expectations with you staff and they, in turn, review the expectations with their students.

Peace

Include them in student reflection forms [LINK]

At Gamble, we use reflection on misbehavior as a way to reteach appropriate behavior and help a student understand why they misbehaved. Asking a student to relive an experience later and find different solutions helps provide them with resources and “experiences” to make better decisions in the future. The Gamble reflection form requires the student to identify one or more values that were violated that prompted the need for a reflection. Redirecting students to the core values not only serves as a reminder of the rules, but it also helps them understand that the rules serve a purpose other than providing an annoying roadblock to doing whatever one pleases. Instead, behavior is understood to need to match these easily remembered values. A student in a future new situation is likely to remember one of the core values and apply it to improve their behavior. This is a much better strategy for teaching behavior than trying to imagine the countless permutations of behaviors throughout the school and to teach each individual scenario.

In student commitment forms [LINK]

Many schools ask students and parents to make a series of commitments as they enter the school or progress through to new teams. This is certain to include following the rules and not committing certain infractions. It may also address doing work of a certain quality and exhibiting exemplary behavior. Using the core values in this document, especially in combination with the other places above, helps send a unified message to students.

respect

Use them on your school letterhead and other public sites

Part of your saturation process means using the core values in correspondence other than just with teachers and students. message you send outside the school is important too. Showing partners and parents and others that you have a thorough commitment to your values sends a message that a school has thought about what it expects from students. In Stephen Covey’s 7 Habits of Highly Effective People, one of the habits is “beginning with the end in mind.”  Espousing these views of the values we hope for a graduate to possess is powerful. Placing them on public documents is an attractive trait to parents who might have to wade through a wide range of school choices, or might be seeking reassurance that their only choice is a good one. Seeing that your school seeks to instill important values in your child builds confidence and trust.

You and your school have accepted the mission to educate a child beyond mere standardized tests and common standards. Adopting and using core values as a guide and structure for the teaching of behaviors and habits helps create a shorthand for achieving your loftiest goals. The work is not simple, for sure, but it is made simpler by providing an agreed-upon framework of common core values.

Scott envisioned an important 6th core value for his classroom.
Scott envisioned an important 6th core value for his classroom.

Something was in the air this summer. Soon after talking with Scott Pardi about his edits to our core values descriptive paragraphs, Josh Vogt, a veteran teacher at Gamble, brought them up too. Josh is in the important role of Montessori Coordinator. He expressed frustration that our core values are the same as our sister school – we had not written them ourselves. He had written some new possible values down on a sheet of paper, but he wasn’t quite happy with them. Our conversation ranged over a couple of days until a summer meeting where he appeared to have reached an important breakthrough.

“I’ve got them,” he announced, with seriousness.

“Them?”

“Yes, the new core values.” He held up a list of hand-written words and phrases on a lined sheet of paper. It was long. “I just need you to approve them.” He gestured as if handing the paper to me to sign, offering me his pen. There were a couple of columns of values, one of which carried over to the back.

“Long list.” I observed.

“One hundred and six.”

“One hundred and six?”

“Or thereabouts,” he conceded. “Some of them feel a bit redundant. Might be about 100 though.”

“Sounds like you’ve covered everything.”

“I believe I have,” he nodded modestly. “It’s all in there. Honesty, Trustworthiness, Caring for others. Bravery.” He pointed at the list as he said each one. “All the important ones.”

He was right, and it underscored an important point for me. The best core values are the ones you have, and even better are the ones you use. Almost everything he had written down could plausibly be a core value at a reputable school. But the list was so long! I suggested, “I think we might need to simplify a bit.”

“Simplify?” he asked.

“Yes, this seems a bit excessive. You know, in an age of electronics.”

“Oh? … Hmm. I see what you’re saying.” He took the list back. When I saw him later that afternoon I had almost forgotten our conversation.

“I’ve got it.” He pronounced.

“What?”

“The solution to our core values. I have them. Final version”

“Already?” I was surprised. “Final version?” I was remembering the long list and imagining how he could have winnowed it down to five or six.

“Yes.” He paused dramatically. “Emoji’s.”

“Emoji’s?”

“Yes, and we will only need five: smiley face, frog, 100%, American flag, honey pot.”

“The kids will understand it?” I asked.

He nodded reassuringly, “Oh yeah.”

“But will we?”

“We can learn.”

 

What are your school’s core values? We would love it if you could include them in the comments below.

Josh's mostly tongue-in-cheek core values suggestion

* Here and throughout the article I capitalize core values. The English teacher in me cringes. However, I think it is important to note that core values are proper nouns because they play a powerful role in a school, and therefore merit this capitalization.

Teaching Morality: The Kohlberg Chart

-by Jack M. Jose

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I knew the lesson wasn’t my most riveting work. In fact, I cannot remember what I was teaching that day. But, however dry the material, I was still shocked when a student suddenly got up from her chair by the door and quickly walked out of the classroom.

“Did she just …?” I asked, gesturing toward the door. A couple of students nodded affirmatively. “Do you suppose she knows that I saw her?” I joked. This elicited a little laughter, and I took a deep breath before I attempted to resume the lesson. On the surface I remained calm, but underneath I was experiencing a fierce internal battle. I still had a full class, so I had to keep teaching, but a student had just walked out of class. Out of MY CLASS! I wanted to find her and bring her to justice! No, I NEEDED to bring her to justice!

Barely a minute after I had resumed teaching, she walked past my door, from left to right. That was bold! In between points of my lesson I quickly, and very publicly, wrote out a Saturday School form, with her name in all capital letters, with sharp angles visibly demonstrating the peaks of my frustration and valleys of my despair. I had barely gathered myself before she walked past again in the other direction! I was going to lose my cool! To be so blatant. To essentially DARE me to catch her! I got to a natural stopping point in the lesson, with students working quietly at their desks, and stormed toward the hall, just as she re-entered. Through clenched teeth I asked, “Where were you? You think you can just walk out?”

The next couple of sentences are lost to history, but I am afraid that I may have already gotten to the point of threatening specific consequences when she interrupted me. “Mr. Jose. That teacher from down the hall, the really heavy English teacher?” (I knew which denotation of ‘really heavy’ she was using – she didn’t mean ‘prompting deep thoughts’ – but I could address her poor manners later.) “She was walking past when she spilled her coffee, and then dropped a pile of papers. I had to help her.”

But I had her cornered. I could see through her little story. “Then why did you go past my door two times?” I held up a pair of fingers to reinforce the multiplicity of her offense. Then, in two syllables: “tuh-wice?”

“Mr. Jose,” she sighed. Frankly, a bit patronizingly. “Okay, I broke a rule.”

Now she was starting to see it my way!

I waited for her admission of wrongdoing. “I went into the boys rooms to get some paper towels to help her clean it up. It’s just … it’s just so much closer than the girls room. There wasn’t time.”

Well … now everything changed. I was in a bit of a quandary. Here was a student who had indeed broken a rule. But who had acted in accordance with perhaps the highest impulses given to us – she had broken a rule to help another person. And a teacher at that – she’d broken a rule to help one of my brethren! I looked down at the puny and ill-intentioned form in my hand, thought hard about the waste of a triplicate form, and ripped it in half.

“And why didn’t you say something as you left?”

“You were in the middle of a sentence, I didn’t want to interrupt.”

It was years later that I encountered Lawrence Kohlberg’s theory of moral development. Kohlberg worked from Jean Piaget’s framework suggesting that a child develops cognitively in a predictable pattern. Piaget demonstrated that a child moved from a concrete operational stage to a formal operational stage. In this last stage, a person can understand abstract concepts such as morality and virtue.

Piaget's Stages of Cognitive Development
Piaget’s Stages of Cognitive Development

Kohlberg researched how morality progressed in individuals, and found that there was a similar, predictable progression. Kohlberg described the stages as demonstrated in the chart below, along a continuum. These are most simply described by the primary motivation that prompts the individual to act.

Kohlberg's Chart of Moral Development could be displayed in your classroom.
Kohlberg’s Chart of Moral Development could be displayed in your classroom.

The first two levels, which together he called “pre-conventional” to suggest they happen before adolescence, were acting to avoid a consequence, and acting to get a fair deal for yourself.  In the “conventional” stages, a person would be seen to act to gain someone’s approval or to act in strict accordance with societal (or classroom) rules. Finally, in the “post-conventional” stages, one might act out of respect for moral rules or to act from an internalized code of what is right or wrong.

One implication of these stages is to suggest that a person might be guided by the conventional goal of pleasing others, and in doing so might break a moral law, blind as he is to the other motives of his behavior. Calling these “stages” suggests that they happen in a particular order over time, with a person eventually arriving at the highest level. However, it is not simply a function of age. A child can’t necessarily move up the ladder simply with the passage of time.

Unfortunately.

Instead, we are called to guide and push each other through these stages of development. At school, we have a particular responsibility to assist students to progress toward the highest level.

Stop asking someone to “do me a favor and …” as a way of asking them to follow a rule.

We know our goal. In our society, where we value justice, truth, and independence, we want every person to be guided by post-conventional motives. A society full of people who do the right thing because of an internal belief in doing what is right is an unimaginable utopia.

So how do we push students up the ladder from one step to the next?

At Gamble, we have decided on several intentional actions to foster a sense of commitment to the higher motives:

Move past Level 1, Stages 1+2:

  • Stop providing punishments or threats of punishments to address every undesirable behavior. It is easy to reach for the Saturday School slip for every transgression. However, this does not promote a sense of the action’s impact on others, nor does it provide replacement behaviors.
  • Start using a wide range of responses to misbehavior, allowing for a written or verbal explanation of every misbehavior. Perspective matters, and it is important to take the child’s perspective into consideration. Then make sure that every incident results in re-teaching the desired behavior.
  • Start teaching the desired behavior in common situations: how lines form, how to react when someone drops something in the hallway, when you think someone is mad at you, when you disagree with a teacher’s decision, etc.
  • Stop using external rewards. No more stickers for homework completion. Hopefully you will never hear a staff member at Gamble bargaining with a student to get good grades for pizza, or to behave for lunch on Tuesday, or to come in from outside in return for a treat. It is relatively simple to end this practice in your own classroom. These reinforce the lowest levels of moral development. Just stop. [A note: in certain situations, a defined contract with clearly stated rewards and consequences, over a clearly-defined period of time, might be necessary to help a student form a framework for improved classroom behavior.]
  • Start emphasizing that doing the work, or having excellent attendance, is its own reward. The community is better because they are there, and we are thankful for their presence. Their hard work and contribution is important to the group.

Very publicly, wrote out a Saturday School form, with her name in all capital letters, with sharp angles visibly demonstrating the peaks of my frustration and valleys of my despair.

Move past Level 2, Stages 3+4,

  • Stop comparing one student’s behavior or grades to another student’s. This sort of norm referencing of behavior can serve to mask the true benefits of good behavior: when we all agree to a certain code of behavior, predictable good things happen. When we all agree not to litter, our grounds stay clean, for instance.
  • Stop saying someone is “good” or “bad.” Even when the person is not present. These terms are nebulous at best, and damaging at worst. This language suggests that whatever needs the student was trying to meet are not as important as the rule or norm they broke. In schools we have students who come from every imaginable set of home expectations. Labeling someone “bad” based on observed loud behavior in the hall is a tragic and damaging over-reach.
  • Start providing reinforcement for positive behavior, and correction of misbehavior, by pointing out the social benefits of the desirable behavior. Instead of saying, “You guys are being good,” say, “When you walk through the halls this quietly, the students who are working in other classrooms can keep concentrating.” At Gamble we use a technique called “Describe, Label, Praise” where, instead of saying “great job” we practice describing what was observed, give it a title, and then praise it. For instance, “I saw you stop and help someone pick up their papers in the hall, that is very considerate. I sure like going to a school with helpful student like you.”
  • Stop asking someone to “do me a favor and …” as a way of asking them to follow a rule. While this may be effective in the short term, ultimately we want students deciding to do what is right whether or not we are present to be pleased or displeased (or favored) by their actions.

Move into Level 3, Stages 5+6:

  • Start asking questions about moral issues and the value of individual rights and freedoms. Discuss important documents in history: Hammurabi’s Laws, the Constitution, various religious texts including passages from the Bible, the Quran, the Sutras, and the Talmud. Allow exploration of why societies developed these types of rules for themselves. Want to know more about how to do this? Read about how to do Socratic Seminar.
  • Start utilizing apologies and restitution as ways to address misbehavior. Though these are consequences of a sort, they are intended to prick the conscience and provide the opportunity to reflect and grow. Think of conscience as a muscle. To exercise it, though, the teacher must help create a situation in which they truly understand where and why they were wrong, and issue a sincere apology.
  • Stop allowing questionable behavior to go unchecked and unquestioned. Ask a child who threatens or jokes about immoral behavior to explain the comment, and reflect on who might be affected if they were to act on that thought.
  • Start being willing to rip up the Saturday School form when a student explains a legitimate reason for leaving your class in the middle of a lesson.

The process of moving students up through these stages is not in the Common Core, nor in the expectations of future employees. It is definitely not on the AIR or ACT tests, nor the State Report Card. However, there is no argument that these are the most important lessons we can impart to our students. Spending time in class engaged in these questions does not take away instructional time. Ultimately it is an investment in the moral growth of students. This is an investment that you will realize pays great dividends over and over again.

I want to work in a school, and live in a world, where students feel empowered to step out of class to help someone without repercussions. Where those in authority can determine the right time to act, and where they have the right and the opportunity to take no action at all – to rip up the Saturday School slip.

What do you do in your classroom to encourage kindness, cooperation, and moral choices?

Good Books: The Talent Code

-by Jack M. Jose

Usain Bolt ignited: "People say I am a legend, but I am not. Not until I have defended my Olympic title. Then I will be a legend. That is what I have decided."
Usain Bolt ignited: “People say I am a legend, but I am not. Not until I have defended my Olympic title. Then I will be a legend. That is what I have decided.”

Usain Bolt. Katie Ledecky. Michael Phelps. The US Women’s Gymnastics team.  In this Olympic season we collectively pause to contemplate greatness and excellence as the world’s best athletes compete in carefully adjudicated sports, with times measured to hundredths of a second, and the title of “World’s Best” at stake. We examine Usain Bolt’s long, muscular frame and we could easily dismiss him as “born to run.” Michael Phelps’ extraordinarily long reach aids him as he propels himself through the water. Simone Biles’ compact build seems made for the floor routine. Are they born to it? What does it take to be elite?

10,000 hours.

In his book Outliers, Malcolm Gladwell outlined a common factor among leading innovators, athletes, and experts in a variety of fields – 10,000 hours of focused practice. This research reinforced and depended in no small amount on the work of Anders Ericsson, a brain scientist whose research suggested the same correlation between practice time and success.  While not simple, the number at least seems straightforward. Measurable. More like a goal than a mystery.

As educators, charged with aiding the most natural human process of learning, we turned this 10,000 number over in our heads. 10,000 minutes. How many hours was that? And in school days? Weeks? How exactly to get to this goal? 6 hours a day, 180 days a year. Well, simple: we could get there by the middle of 10th grade with every student … if we remained focused on only one subject. And so, to try and do this for every student, the work seems impossible. Frustratingly, Gladwell’s evidence is largely anecdotal. There are naysayers, like the author of this Business Insider article who claimed to “destroy” Gladwell’s 10,000 hour rule.

And there are other authors who, as with any innovative and popular idea, had been researching in the same field and explored the notion further. One of those authors is Daniel Coyle, whose book The Talent Code unpacks the notion of being born with certain talent. He concludes, in the subtitle of his book, “Greatness isn’t born. It’s grown. Here’s how.”

As with Gladwell’s book, Coyle’s uses prominent athletes along with somewhat lesser known musicians and other experts. And while he recognizes the importance of time in improving skills, he explores areas where not just one athlete or team, but instead many, have achieved excellence and prominence. These people do not have more time than others available to them. There is something powerful in how they use that time. Gladwell recognized that important detail in his book, that excellence is not something to be stumbled upon at the end of 10,000 hours of just any sort of practice, and wrote an article to dispel the idea. Instead, these authors understand that you have to be working on a skill at the edge of the student’s abilities. The area that Lev Vygotsky called the “zone of proximal development,” where our skills are being challenged and our work is improving in speed and accuracy. An area which, not coincidentally I believe, has all the characteristics of the conditions of “flow” as researched and explained by Mihaly Csikszentmihalyi.

Jeff Brokamp, Principal of Walnut Hills High School, by many measures the best public high school in Ohio and an annual member of the US News and World Report’s national best schools list, feels that this book has an important message for educators. “Every teacher should read this,” he told me. I replied that I think everyone who works with learners should read it. Subsequently, I have shared it with my coaches and recommended it to teachers who have asked how to improve their practice. Here is why I share it with those who are interested in getting the most out of their limited time with learners.

Coyle breaks the “talent code” by declaring it a process of 3 key parts. Helpfully, these are all controllable factors: deep practice, ignition, and master coaching. While the book seems targeted at coaching athletics, it has powerful implications for the academic classroom.

Deep Practice

In deep practice, the student enters a “highly targeted, error-focused process” of stopping and focusing on repairing small errors. Whether it is a clarinetist working – as if from a blueprint – on getting each note right in a challenging passage, or a pilot working on the skill of instrument-only flying in the “Blue Box”, deep practice focuses narrowly on a specific skill. A quick illustration of the concept comes from Brazil’s soccer team, where players – due to a lack of resources including soccer fields – practice in a highly confined space, using soccer balls that are smaller and heavier. In this way, the unintended consequence of insufficient resources is a mastery of the ball handling skills required to out-maneuver an opponent on the field. While much of the game of soccer is spread out on the open field, these pivotal moments of defender vs ball-handler really determine the outcome of the game by allowing a team to control possession and set up more shots and better shots on goal.

Deep Practice in the Classroom

In the academic classroom, a math teacher can emulate the deep practice model by breaking down a math process into its component parts. If a particular step slows down or confounds one or more or her students, the teacher can provide practice just on that step. Instead of having students run over the open fields portion of the questions, the parts they already have mastered, wasting precious classroom time, the teacher can isolate many examples of those particular steps. The student can enter deep practice by practicing, over and over, the specific skill they lack. This intense practice speeds growth and maximizes the little time we have.

This can also happen by using the concept of writing across the curriculum where every student is asked to write in response to every question in every class. This creates additional practice where some students would otherwise simply tune out or attend to something other than the question at hand.  In a typical classroom, a teacher covering a concept can pose a question to the group and have only a few hands go up. The response might be to call on one of those whose hands are up. A more skilled teacher might recognize that he has called on those students already and ask for additional volunteers. A master teacher will use the concept of cold-calling and writing to learn to ensure deep practice. Here’s how that works. For the key concepts in a lesson, instead of calling out a question to ultimately be answered by one student, the master teacher asks every student to write their response. This creates almost universal engagement with the question. If students then pair up and share those answers with each other, then offer their own or their partner’s response to the whole group, each child has twice engaged with the question and possible answers. When shown or guided to the correct answer by a skilled teacher, the student can refer to their written notes and their conversation – their deep practice. The work is rewarded with the right answer, and they have put themselves in a position to understand why it is right, or at least to remember it better. This process takes a little longer than the traditional call and singular response, but increasing participation from 1 to 28 students in the same period of time makes it far more efficient.

Ignition

“If people knew how hard I had to work to gain my mastery it would not seem so wonderful at all.” – Michelangelo

There are three steps to help someone move from merely understanding deep practice to helping it happen. Collectively Coyle calls these “ignition.” Some children arrive in the world with a “rage to master” a new skill or skills, according to the appropriately-named psychologist Ellen Winner. Perhaps all children arrive with it, and their environment either nurtures that or stifles it. However, creating the conditions for igniting learning is not a mystery. Through all the examples of individual passion and genius like that of world-record holder Katie Ledecky, Coyle sees evidence of three common steps available when ignition finally happens

  • Chunking and slowing it down – the best learners and masters of skills find ways to master small steps within the larger skill. In reading, we master the sounds of letters even as we are memorizing common words as a whole. Together these skills help us read for understanding and attack new words we have not seen. Again, with a musician as an example, rather than practicing the whole piece over and over again, chunking means breaking the work into parts, then focusing in on the areas that are difficult, and not wasting time with the parts already mastered. Additionally, the masters slow a skill down to understand its component parts. While they do this, myelin is still forming, and they are understanding the pieces and how they fit together. This way they can focus on eliminating errors, and understand the blueprint of the larger whole.
  • Repeating it – the deep practice model calls for a lot of targeted practice. Over and over again. You hear it from the greatest athletes, as well as researchers and artists. They are practicing their skills, researching their fields, over and over again. Typically about 10 years’ worth of practice is what it takes to become elite in the field.
  • Feeling it – Coyle is quick to point out that none of the actual masters in their fields with whom he spoke used the words “easy”, “natural”, or “genius” to describe what they had accomplished. Instead they described their practice using words like “alert”, “edge”, “focus”, “mistake” and “repeat.” In short, even in practice they were working toward a goal and feeling the effort closing the gap between where they were and where they wanted to be.

Ignition then happens when these parts are in place, and the artist, athlete, or academician sees themselves as engaging in a task to achieve a long-term goal. Perhaps they see someone in the field who they want to emulate, or they have a life goal of achievement in a certain area. A commonality among the champions is that they knew they wanted to be champions, and they knew that it would take a long time. And, most importantly, they identified with someone who had accomplished what they wanted. They knew they belonged at the top.

Greatness isn’t born. It’s grown. Here’s how.

Ignition in the classroom

Ignition then has clear implications in the classroom, closely tied with research by Carol Dweck in the area of Mindset. Students need to understand the work in front of them, be willing and able to engage in the work of targeted growth, and, importantly, see themselves as capable of being successful over time.

Additionally, students benefit from seeing how they belong to something bigger and more important than themselves. In the classroom, we can help students feel part of something bigger by telling the story of our classroom or school, and particularly of students who achieved lofty goals who emerged through these same classrooms and hallways. We can also build connections to professionals in the field through intersessions and other real-world experiences, and innovative projects such as Gamble Montessori’s Senior Project (to be featured here soon.) In this way, we can demystify success and expertise, and put it within range of every student.

Master Coaching

In the hotbeds of success explored by Coyle, he saw another common theme: a master coach. Coyle watched a master coach, Hans Jesson, walk two students through cello lessons. Coyle asked, after the lesson, which of the cellists were better. Coyle believed the first was much better and was surprised when Jensson struggled with the question. “It’s difficult to say. When I teach, I give everyone everything. What happens after that, who can know?” Basketball Coach John Wooden is the winningest coach in men’s college basketball history. When his coaching style was explored through scripting and breaking down every audible comment, his coaching was found to be lacking in overt inspiration, and instead was infused with practice. An article by two researchers even found that he had a particular sequence of events he used so often they dubbed it a “Wooden”: he showed the player the right way to do something, imitated the wrong way they had just done it, and then he showed them the right way again.

Master coaches have what Coyle calls a “matrix” – a vast understanding of the task and what is needed to accomplish it well. Also, they have a perceptiveness about the needs for each of the individuals with whom they work. Third, they possess what he calls a “probing, strategic impatience,” where they interrupt practice to strengthen specific things they see need work. Finally, they possess a “theatrical honesty” with which they point out mistakes almost as if each mistake was the end of the world, then transform that moment into a chance for new learning, which is equally theatrically praised.

Master Coaching in the Classroom

It is the work of the teacher to become a master coach in the classroom. Meet students where they are, through pre-assessments and close examination of work to determine their level, then using differentiation and targeted practice to help them continually work within their zone of proximal development. That is – they need to become experts not just in their area of teaching, but also at seeing where their students are currently, and how to move them forward.

A reading teacher might work with a student reading aloud, inviting them back to the word they just mispronounced, or even back to the start of the sentence to make sure they read it at a fast enough speed, or with sufficient fluency, to get meaning from it. One student might get assistance with pronunciation and decoding, while another might get assistance with sentence inflection.

Most importantly, a master teacher can forge a personal connection of trust and love with his students. This happens through hard work, masquerading as effortless “being there” for students. Thus, building relationships become the fundamental first step of learning.

You know we worked harder than you. (Author's paraphrase.)
You know we worked harder than you. (Author’s paraphrase.)

The Brain Science of Deep Practice and Master Coaching

Every signal the brain sends travels along a path of neurons. That path is coated and reinforced by a recently-understood substance called myelin. The more the pathway is used, the more it is reinforced. This is true for every skill and every action, whether the action is correct or not. This, of course, has implications for all of our actions. As a teacher, it has important implications for teaching and re-teaching as a primary tool to address not just classroom errors but disciplinary matters as well.

Deep practice of specialized, broken down skills develops myelin in important information and skills that will need to be recalled. In this way, practices in the classroom that create multiple chances to learn a skill, such as deep practice, will physically change the brain of the student. Practicing the correct skills correctly, can permanently improve students’ acquisition of the target skill and related skills. If we can expand to an entire classroom answering a question, this is 28 times the amount of growth we would get in a traditional classroom. If we can target the practice to a specific skill and cram 6 or 8 practices of the skill instead of 2 practices of the whole process, then this is growth at a factor of 3 to 4 times the traditional classroom. That’s a lot of myelin, laying the groundwork for a superhighway of correct skills.

Master coaching means, in short, understanding which pathways are not yet developed. Looking closely at student skills and addressing deficiencies promptly and accurately helps ensure that the right pathways are being formed. This is why it is important that we correct students’ grammar at every opportunity, and teach them to make eye contact and give a firm handshake at every greeting. This is also why at Gamble we use the Teach Like a Champion skill of No Opt Out, where a student who gets the answer wrong has a chance to hear the correct answer, then must give the correct answer verbally to the teacher. The right action reinforces the learning. We are creating powerful habits that sometimes are working to erase older powerful habits. The master coach does not pass up an opportunity to help rebuild it the correct way.

In a way, we are all called to be John Wooden in the classroom. However, the work has been demystified. In order to create superhighways of excellent practice, we need to utilize deep practice – chunk the work, practice it over and over, and help students understand when it is right. We need to help students see the value of their work and identify with those who use the work in a valuable way in our society. We need to build deep relationships of trust with students, and we need to provide them very specific interventions at the time when they need it. Most of us do most of this just about every day.

What area seems most natural for you? Which area will be the biggest struggle? We welcome your comments.